Aedicula

: aediculae)[a] is a small shrine, and in classical architecture refers to a niche covered by a pediment or entablature supported by a pair of columns and typically framing a statue,[1][2] the early Christian ones sometimes contained funeral urns.

From the 4th century Christianization of the Roman Empire onwards such shrines, or the framework enclosing them, are often called by the Biblical term tabernacle, which becomes extended to any elaborated framework for a niche, window or picture.In Gothic architecture, too, an aedicula or tabernacle is a structural framing device that gives importance to its contents, whether an inscribed plaque, a cult object, a bust or the like, by assuming the tectonic vocabulary of a little building that sets it apart from the wall against which it is placed.

A tabernacle frame on a wall serves similar hieratic functions as a free-standing, three-dimensional architectural baldaquin or a ciborium over an altar.

Classicizing architectonic structure and décor all'antica, in the "ancient [Roman] mode", became a fashionable way to frame a painted or bas-relief portrait, or protect an expensive and precious mirror[6] during the High Renaissance; Italian precedents were imitated in France, then in Spain, England and Germany during the later 16th century.

[7] Aedicular door surrounds that are architecturally treated, with pilasters or columns flanking the doorway and an entablature even with a pediment over it came into use with the 16th century.

Classical aedicula shrine from Lilybaeum , with sign of Baal Hammon , signs of Tanit and caduceus
Gothic façade of Exeter Cathedral , with rows of figures in aediculae or tabernacle frames above the door, and two above the crenellations
Late 18th-century Doric aedicula on Skerton Bridge , Lancaster, Lancashire