Sasamoto carefully altered the found objects like doughnut-shaped cushions, cafe tables, projectors, and cameras in a sculptural way by organically arranging their placement and suspending them from the ceilings in the red fishnet sacks.
[14][15] With the guidance of the prepared everyday objects, Sasamoto wove together her structured improvisation, the movements, and the environment into her kaleidoscopic worldview and chaotic narratives to the audiences.
Working closely with the site SculptureCenter in New York, Sasamoto created a new body of performances and installations mimicking the rolling movements of the dung beetle as the starting point of her exhibition.
[19] From the perspective of the dung beetle, she activated the life-size washroom sculpture units in the building by climbing within and upon those washing and drying machines and chatting about dirt and stains.
Engaging viewers on multiple sensory levels through a stream-of-consciousness interaction, the exhibition explores the boundaries and interrelations among people and their physical surroundings, and draws a connection between her new series of work and the moving-image piece Point Reflection (2023).