[5] He also travelled west of Provence as far as Montferrand, where he met Dalfí d'Alvernha, Gaucelm Faidit, and Peirol,[5] and by some accounts he even took refuge in Spain at some point.
[4][6] One of Albertet's most famous works is a satire which heaps praise on seven prominent women of his time, notably Beatrice of Savoy, wife of Raymond Berengar IV of Provence.
[11] Asides from this request to Peirol, Albertet elsewhere begged his lady to learn his poems, possibly with an eye to the propagation through further singing and recitation:[12] Despite his reputation as a musician, only two of his surviving works—the Mos coratges m'es camjatz and A!
mi no fai chantar foilla ni flors (both cansós)—have complete melodies, though one other (En mon cor ai un' aital encobida) is partially extant.
[13] Each piece of Albertet's surviving musical work is distinct, though on the whole it is conservative, written within one tenth interval, syllabic with melismas only at the ends of phrases.