They depict moments from daily life with no heroes, allowing Enrico Crispolti, in 1956, to define his work as "existential realism".
Exercises in cruel painting at the Hunting Lodge of Stupinigi, in Turin (2005), and the exhibition "Intimate Portraits from Lotto to Pirandello", at the Regional Archaeological Museum in Aosta (2005) .
At the end of 2005 and until 21 January 2006, a large retrospective exhibition of Sughi’s work was held at the Palazzo della Pilotta in Parma.
In April and May 2006, the modern art gallery in Arezzo held the exhibition il Segno e l'Immagine, consisting of 50 works (all made on paper and then applied to canvas) painted in 2005 and 2006.
2007 has seen two new major Alberto Sughi's solo exhibitions, the first hold in the new rooms of the Biblioteca Malatestiana di Cesena, the second in the Complesso Vittoriano, Rome.
However, in April the Japan Artists Association and Agency for Cultural Affairs received an anonymous tip-off questioning the authenticity of Wada's work sparking an investigation into the allegations of plagiarism.
[3] Wada told the Japanese newspaper Yomiuri Shimbun he had known Sughi for 40 years and they had drawn together and exchanged opinions.
Three of the seven screening judges that decided to award Wada with the art recommendation prize attended a special review meeting.