Alexandru Dragomir

In 1945, the end of the war coincided with the Russian occupation and the introduction of communism in Romania; Dragomir saw himself unable to continue his thesis with Heidegger.

While continuously erasing the traces of his past, Dragomir worked in all possible trades: welder, salesman, civil servant or accountant, always changing jobs, being regularly fired because of his politically unsuitable “file”.

After 1985, he agreed to make a compromise as far as his silence on his philosophical activity: he decided to hold several seminars with the disciples of Noica: Gabriel Liiceanu, Andrei Pleșu, Sorin Vieru.

Texts were found that dealt with themes such as the mirror, lapse of memory, error [...], the morning alarm clock, what one calls ugly and disgusting, attention - because of being wrong about oneself, writing and orality - because of distinguishing and [...], uniqueness and so on.

"[4] They are disparate and heterogeneous subjects, as if Dragomir had let his phenomenologic magnifier fall upon the diversity of the world and chose to analyze, for his own desire to comprehend, with no other end, such and such fact or such and such aspect of reality.

), Caietele timpului ("The Time Notebooks", 2006, translated into French by Romain Otal as Cahiers du temps, 2010;[7] into German by Eveline Cioflec, as Chronos.