Zare attained critical acclaim for directing Empty View (2017) and Dad's Fragile Doll (2013)[2] which was awarded the best animation of International Open Film Festival (IOFF).

[7][8][9] Empty view has been in the official selections for the best animation in Edmonton International Film Festival in Canada.

[11] Ali Zare Ghanat Nowi, who had achieved this before by Dad's Fragile Doll being selected in Anima Mundi (event), now again reached this place by Empty View.

His first experience as a very young teenager was at Iran National Broadcasting in Fars Province channel [fa] in 1997.

In 1999 Zare worked in a TV project named Didgah (View) as the editor, assistant director, and writer.

[6] Following this, Zare wrote and directed his first short film Paeeze Khakestari (2000) meaning Gray Autumn.

[33] In the same year, Zare helped in directing and editing Mosabegheh Delavar Mardane Fat'h, (Gallant Guys Conquer) a 52-part TV match with military members participating to gain more score and win.

Barandegan Chizi Nemibarand (Winners Win Nothing), written and directed by him, and it has a story about a soldier who has come back from the war as a shell-shocked ill man.

[35] It is the life of a writer showing how he dies four times in his works and the screenplay was written with the help of Shahriar Mandanipour.

[36] Red Mind documentary which was produced, directed, and wrote all by himself, is based on Shahab al-Din Yahya ibn Habash Suhrawardi notes.

[37] Faryadha o Najvaha (2010), meaning Whispers and Cries is described as a narration of the life of blind and deaf kids in special schools.

[39] In 2013, he released Dad's Fragile Doll, Zare's first animation,[41] which narrates the story of a political prisoner who has a kid.

[42] Dad's Fragile Doll received praise from people such as Ted Hope, the famous producer of 21 grams[43] and was displayed[44] in cinemas across Germany and US.

Between 2015 and 2017, he was involved in the production, directing, and editing of Zand Street, The Kiss, Internationale,[53] Pour with the rain (about Amin Faghiri),[54] and Empty View,[55] all of them finished.

[63] Zare has received acclaim[43] for Dad's Fragile Doll from Ted Hope, the producer of 21 Grams; He said: "Dad’s Fragile Doll’s hand-drawn intimacy and well-told story caught a horrific moment and made it accessible to all while also adding new depth to the subject matter."

In Berkeh Film Festival, it was told[65] to be "a formative view and intelligent adaptation from Persian literature."

About Dad's Fragile Doll[66] it's been said: "intelligently addresses not only children but especially adults, through the eyes of a child, and in an "innocent" but biting manner of the days of terror Of a dictatorship and the effects on a family."

[69] He recently was appreciated for Empty View which was described as "a testament to the unique power of animation to bring life to the artificial.

With enough care and talent poured into every second, a film created entirely by hand can feel as real, if not more so, than reality captured on a camera.

"[70] In 2008 Ali Zare GhanatNowi translated the screenplay of The Grapes of Wrath by Nunnally Johnson[71][72] which is an adaptation of the same novel by John Steinbeck.