Four days later, the song was released as a single to US rhythmic contemporary radio stations by GOOD Music and Def Jam.
Controversial lyrics are included within it in reference to Khloé Kardashian's relationship with Tristan Thompson, which she seemingly responded to via Snapchat.
[4] Along with "All Mine", Ty Dolla Sign contributed vocals on Ye tracks "Violent Crimes" and "Wouldn't Leave".
[7] The two subsequently collaborated on the 2016 single "Friends" alongside Bon Iver and the track's music video includes an appearance from West.
[7][8] Outside of "All Mine", Francis and the Lights has production credits on Ye tracks "I Thought About Killing You" and "Ghost Town".
"All Mine" does not stand as the only song linked to West's perspective of women on the album, as he raps about protecting them on "Violent Crimes".
[10] Organ music heard in a church is juxtaposed with references to celebrity icons in "All Mine", including Naomi Campbell and Stormy Daniels.
[17] "All Mine" was written by West, Mike Dean, Francis Starlite, Cyhi the Prynce, Consequence, Jeremih, 070 Shake, Clemons, Uforo Ebong, Ty Dolla Sign, Malik Yusef, Kenneth Pershon, Bump J and Pardison Fontaine.
[2] It was revealed by West in an interview with The New York Times on June 25, 2018, that co-writer Consequence, credited under his real name of Dexter Mills, was the one who came up with the lyrics "I could have Naomi Campbell/And still might want me a Stormy Daniels.
[19] West produced the track, with co-production from Dean and additional production from Francis and the Lights, and Scott Carter.
[20] The track's production relies on a simplistic drum-led style, with it being where the harmonic progression of the album momentarily stops.
[23] The song was the album's top performing track on Spotify in the US at the time of being picked by West for release as a single, sitting at approximately 600,000 streams a day.
[25] A lyric video was officially released for the song on June 19, 2018, along with one for fellow album track "Violent Crimes".
Spencer Kornhaber of The Atlantic put forward the idea of the track as being what continues West's "career-long meltdown about monogamy.
"[29] In reference to the track's position on Ye, Lucy Jones from The Daily Telegraph described it as where West "moves into more explicit territory" and viewed the beat as being "dirty and mechanical," while also writing that it "feels like Life Of Pablo or Yeezus-era Kanye.
[31] The Independent's Christopher Hooton claimed that the song "has an irresistible bounce to it" and is where "Kanye stamps well-trodden lyrical ground.
Club labeled the song as a minimal collage "of organ drones, a rotating cast of sinuous hook-men, and what are apparently the best jokes about ejaculate and breast implants Kanye came up with in the past couple years.
"[32] In Tiny Mix Tapes, Adam Rothbarth praised the way West "uses space and silence" in the song and also complemented its production.
"[15] For Billboard, Michael Saponara ranked it as the worst track on Ye and commented that the "sultry vocals" set the tone for the song before West's sexualized rapping.
[63] It reached similar positions of numbers 25 and 26 on the Czech Republic Singles Digitál Top 100 and Danish Tracklisten chart respectively.