[6] Nelson Motta, also writing for O Globo, did not agree with his colleague and praised Belchior's work precisely for his exploration of the senses of "newness", as well as for the production of Marco Mazzola and for the musicians performances.

[7] Josely Teixeira Carlos, radio broadcaster, professor and researcher at the University of São Paulo says that "this record sums up the feeling of an entire Brazilian generation, coming from the countryside to the middle of the big city.

"[1] For singer and songwriter Khalil Gibran, Alucinação was the most revolutionary album in the history of MPB and one of the most important of all times for Brazilian music, which even after several years of its release, several songs still echo by radio, TV shows and re-recordings in all parts of Brazil.

[8] The newspaper O Globo reaffirms this thought by explaining that "this masterpiece of the singer and composer contains songs that expressed the urgency of the young Brazilian between the state violence and the end of dreams of freedom.

Considered one of the greatest albums of Brazilian music, it is wrapped in disenchantment, a feeling translated into Como Nossos Pais, which reached even greater projection in the voice of Elis Regina ".