[1] The works of Vivarini show an advance on those of his predecessors, and some of them are productions of high attainment; one of the best was executed for the Scuola di San Girolamo in Venice, representing the saint caressing his lion, and some monks decamping in terror.
Matthew and John the Baptist, in the same collection; and the fresco of Christ Carrying His Cross in Santi Giovanni e Paolo.
In 1488, Alvise Vivarini wrote a letter to the Signory of Venice, requesting permission to share with Bellini in the commission to decorate the Hall of Great Council in the Doge's Palace.
The Council were so pleased with the pictures that, in 1492, Alvise was named Depentor in Gran Conseio, with a salary of five ducats a month.
The Apotheosis of St. Ambrose (1503) in the Cappella Milimesi of the Frari, Venice, was probably the last production of Alvise, as the inscription tells us that it was completed after his death by Marco Basaiti, one of his pupils.