Prose was but a small part of its output; what prevailed in its pages were odes, fables in verse, elegies and translations of classics like Horace, Titus Livius and Lucian.

It was the first Russian magazine where serious critical analysis of poetry, prose, drama and theatre productions started to feature on a regular basis.

[1] The central figure in producing Amphion was its editor-in-chief and co-publisher (alongside with S. Smirnov and Fyodor Ivanov), the poet and literary critic Alexey Merzlyakov (who also went down in history as the young Mikhail Lermontov's personal tutor).

Merzlyakov's in-depth analysis of Kheraskov's Rossiyada (serialized in Nos.

[1] The magazine proved to be short-lived—only 12 issues were published—but among the authors whose work appeared there for the first time were Vasily Zhukovsky, Konstantin Batyushkov, Pyotr Vyazemsky, Fyodor Kokoshkin, Denis Davydov and Wilhelm Küchelbecker.