Building on the jazzy R&B sound of The Love Movement,[4][5] many of Amplified's beats were initiated by Jay Dee, with Q-Tip adding some final touches to it; "When we would work together, he would have it, like, 75 percent there and I would add a kick or bass line".

AllMusic's John Bush hailed it as "an excellent work", with a production style that "emphasizes deep grooves and clipped beats with a polished sheen that takes Tribe's jazz-rap into the age of quiet storm and fusion."

"[4] Colin Ross of PopMatters described it as "a vibe-orientated affair", noting that its "infectious hooks, Jay Dee's trademark keys, and some seriously funky beats all work to create a captivating soundscape upon which Q-Tip drops his traditionally abstract rhymes.

"[10] Writing for NME, John Mulvey initially believed that Amplified followed the mainstream "millennial hip-hop formula to the point of near anonymity", however, he concluded that it lived up to the high expectations of a Q-Tip album, calling the production a "brilliant hybrid of the organic and the modernist.

[22] In a retrospective review, Thomas Golianopoulos of Spin perceived that the album "aged quite well", further writing, "Though the tawdry booty videos for singles 'Breathe and Stop' and 'Vivrant Thing' bothered Tribe loyalists, 'Wait Up,' and 'Higher' maintain the group's ethos and hint at Tip's later unreleased work (Kamaal the Abstract and Open).

"[8] Kembrew McLeod, writing in The New Rolling Stone Album Guide, stated, "Although it may not have the staying power of Tribe's classics, Amplified is the ideal soundtrack for a carefree night at the club.