[4][5][6][7] [8] [9] [10] [11] [12] Peraica's main interest is in post-digital photography; made by humans or machines, and its influence on our understanding of the world.
She uses historical analysis of media and the technology of mirroring to develop a theory of perspective that aims to define how the invisible part of the world, set behind the back of the author came visible.
Purgar, Routledge, 2020) she analyses the role of photography as a mere layer of satellite images, serving to add illusion to a system that is completely out of visual competences of humans.
[15] Her activism is focused on over-tourism in Diocletian's Palace in Split, also known as the Ghetto, where she resides and her family studio is situated, opening the Facebook platform Get Getanima.
[16] on which numerous inhabitants post photographs and videos of problems they encounter with over-tourism and that has an echo in international media [17] In public, her letters to the directors of UNESCO had the largest reverberance.