Andreas Weiland
He also translated and published the works of a number of "Angry Young Men", including Pete Brown, Libby Houston, Adrian Mitchell and Frances Horovitz.
[17] Weiland participated in a poetry reading with the British Beat poet Michael Horovitz in Bochum in the late 1960s.
[citation needed] In 1975, his poem inspired by Straub-Huillet's film "Moses und Aron" was published in the journal Cahiers du Cinéma.
This poem was translated from German to French by Jean-Marie Straub, and appeared in the Cahiers in both languages, accompanied by the commentary "Il comble à peu tous mes espoirs quant au film" ("It encompasses nearly all my hopes with regard to the film").
[23] Two articles published in Artist Magazine were later republished in a small book, Day for Night in Taipei, Notes of A Cinéaste.
[27] An interdisciplinary article that crossed the boundary between urbanistics and discourse theory appeared in Jürgen Link's journal kultuRRevolution.
[35] In Aachen, he read his poems in the Karmán Auditory during an event organized for him by Peter Klein of the renowned Buchhandlung Backhaus that also invited such poets as Volker Braun.
[38] In 1987, Weiland participated in the feminist art project "Unter einem Himmel" ("Under one and the same sky") at the gallery of Schloss Borbeck,[39] Essen, that was organized and curated by Doris Schoettler-Boll in 1986–1988.
[40] With Fang Weigui, Weiland translated 155 poems that were written by the ancient Chinese poet Bai Juyi.
[42] Weiland read his poems frequently during diverse events organized by Doris Schoettler-Boll in the Atelierhaus (art house) in Essen Steele.
[44] Weiland also read recently written poetry in the context of a series of events curated by the artist Li Portenlänger.
[49] Weiland wrote also commentaries on the paintings of modern Arab artists like Maurice Haddad from Iraq[50] and, while using a pseudonym, about the Egyptian painter Saad el Girgawi.
In 2009, Weiland participated in a conference about the Contemporary Arab Contribution to World Culture at the UNESCO in Paris that was organized by the president of the IAIS.
