Massimo Bacigalupo (born 1947 in Rapallo, Italy) is an experimental filmmaker, scholar, and translator of poetry, essayist and literary critic.
Bacigalupo is also a scholar, specializing in Ezra Pound, T. S. Eliot, Wallace Stevens, W. B. Yeats, Seamus Heaney, Herman Melville, Emily Dickinson, and other American, English and Irish writers, whom he has edited and translated.
[16] In these films, experimentation with a stream of consciousness approach gave rise to visual phantasmagoria, sometimes inspired by travels and encounters with other cultures (such as the Afghan and Indian or the North American).
As co-editor of this magazine, Steven Diamant convinced Stan Brakhage, P. Adams Sitney, Ken Kelman, Bob Lamberton, and George Stanley that they should contribute poems or articles about film, which they did.
[18] In 1969, Bacigalupo participated in the 1st European Meeting of Independent Filmmakers in Munich, together with Peter Kubelka, Kurt Kren, Valie Export, Gregory Markopoulos, the Heins, Werner Nekes and Dore O.
[21] Simultaneously, the Modern Art Museum of Turin, GAM, hosted the exhibition "Apparitions: Images and Texts from the Archive of Massimo Bacigalupo.
"[22] In 2004 Paolo Brunatto, an experimental filmmaker, included Bacigalupo in a series of twelve portraits for television of fellow film artists, Schegge di Utopia.
He also pursued advanced studies at Columbia University in New York, writing a Ph.D. thesis about the post-war Cantos of Ezra Pound.
For many years, he has concentrated on the work of Ezra Pound, and has also written about other poets, including Marianne Moore, Wallace Stevens, William Butler Yeats, Emily Dickinson, and Herman Melville.