Anna Maria Strada

She sang in a minimum of 24 of Handel's operas and the opera-ballet Terpsicore, a new prologue to a revision of Il pastor fido.

Strada was the only singer of Handel's company who did not defect to the rival Opera of the Nobility in 1733, and in 1732 had turned down the opportunity to sing for Giovanni Bononcini.

18th-century music historian Charles Burney described Strada thus:A singer formed by himself [Handel], and modelled on his own melodies.

She came hither a coarse and awkward singer with improvable talents, and he at last polished her into reputation and favour … Strada’s personal charms did not assist her much in conciliating parties, or disposing the eye to augment the pleasures of the ear; for she had so little of a Venus in her appearance, that she was usually called the Pig.

[1] Further evidence of Strada's unusual ugliness is provided by Mrs Pendarves — formerly known as Mary Granville and later Mrs Delany — a close friend of Handel.La Strada is the first woman; her voice is without exception fine, her manner perfection, but her person very bad, and she makes frightful mouths.

Anna Maria Strada by John Verelst (circa 1732)
Caricature of Anna Strada by Antonio Maria Zanetti