Anna Weyant (born 1995) is a Canadian artist based in New York City, whose figurative paintings blend influence from the Dutch Golden Age with an awareness of contemporary popular culture and social media.
Discussing the artist's exhibition splinter (2022) at Blum & Poe, Rae Niwa wrote in Flaunt that Weyant has a "meticulous approach to color and line," noting that "there is a spaciousness and lightness in the work.
"[9] Prior to joining Gagosian Gallery, the artist's work received very little attention from curators, critics, and the media.
[11] Weyant has staged six solo exhibitions: Welcome to the Dollhouse (2019), 56 Henry, New York;[12] Loose Screw (2021), Blum & Poe, Los Angeles;[13] splinter (2022), Blum & Poe, Tokyo;[14][15] Baby, It Ain't Over Till It's Over (2022), Gagosian Gallery, New York;[16][17] The Guitar Man (2023), Gagosian Gallery, Paris;[18][19] and Who’s Afraid of the Big Bad Wolves?
[20][21] Weyant's work has also been featured in several group exhibitions, including Artists Inspired by Music: Interscope Reimagined (2022) at the Los Angeles County Museum of Art.