The Liberty Bell (annual)

[1] The fairs organizers raised thousands of dollars a year by selling things such as "ladies' aprons, cloaks, cuffs, bags, purses," "knitted quilts," "inkstands," "Ohio cheese," and "dolls in hundreds of every size, price, material, and costume.

Chapman, in 1848, commented: The purpose of this little annual volume, commenced in 1839, and now published for the ninth time, is, the promotion of the cause through the promulgation of its principles in an attractive form....Hence it is that no mere indifferent literati, however intellectually gifted, nor any known enemies of the cause or of its advocates, have ever been permitted to occupy these pages?

[5]Her efforts at soliciting wider afield were successful as well, the Liberty Bell twice published works by Elizabeth Barrett Browning.

[8] Unlike the more customary practice of writing for pay with more commercial gift books, authors typically did not receive any compensation for their submissions to the publication aside from a copy of The Liberty Bell itself.

Some derided the quality of the works, one scholar (Ralph Thompson) saying "throughout the fifteen volumes of the series there is hardly to be found one creation of aesthetic value"[10] while others felt the work was adequate, another scholar (Clare Taylor) saying "a good magazine .... Its standards were high, and items were convincing, for the anti-slavery movement relied on propaganda to win support"[11] Views of the effectiveness of the material as propaganda also vary, Thompson saying "like all unadulterated reform literature, the Liberty Bell circulated among those people who already knew and accepted the tenets it upheld... it could hardly have made many converts",[10] while Taylor feels that "From the outset the Liberty Bell was the most significant anti-slavery annual in America" and that it "made a real contribution to the anti-slavery movement".

The Liberty Bell frontispiece from 1839
an ornate The Liberty Bell cover from 1848