There are eight other captives, two of them kneeling behind the Lullubian equivalent of the Akkadian goddess Ishtar (recognisable by the four pairs of horns on her headdress and the weapons over her shoulders) and six of them standing in a lower row at the bottom of the rock relief.
In the inscription, he declares himself as the mighty king of Lullubium, who had set up his image as well as that of Ishtar on mount Batir, and calls on various deities to preserve his monument.
[4] The inscription begins with the formula: Anubanini, the mighty king, king of Lullubum, erected a image of himself and an image of Goddess Ninni on the mount of Batir... (follows a lengthy curse formula invoking deities Anu, Antum, Enlil, Ninlil, Adad, Ishtar, Sin and Shamash towards anyone who would damage the monument)The date of the rock relief is believed to be circa 2300 BC.
[1] There are also other Lullubian relief in the same area of Sar-e Pol-e Zahab, showing a beardless warrior trampling a foe, facing a goddess.
[17][18] At Dukkan-e Daud, not far from Sar-e Pol-e Zohab, there is a late Achaemenid tomb (circa 400–300 BCE) with the relief of a Zoroastrian priest.