[1] Headquartered in Copley Square in Boston, the firm specialized in fiction and non-fiction books on the progressive causes of the 1890s.
It issued a number of the utopian novels that were a prominent feature of American literature in the late 19th century,[4][5] along with related speculative and science fiction.
Flower believed that the standard printing format of black ink on white paper caused eyestrain; Schindler's Young West, a sequel to Edward Bellamy's famous Looking Backward, was issued with colored borders, that varied among blue, green, and yellow page margins.
Along with its books, the firm also published a monthly journal titled The Arena, edited by Flower, which called itself "the leading progressive review of the world."
The journal featured articles and essays by the company's authors, like Garland and Schindler, plus early work by Frank Norris, Stephen Crane, and Upton Sinclair.