In 1898, the group expanded further to become Art dans Tout when Carl-Albert Angst, a sculptor and student of Dampt,[2] Jules Desbois, a sculptor, Paul Follot,[3] a furniture designer, Alphonse Hérold, a cabinetmaker, Antoine Jorrand, a painter and tapestry designer, Henri Sauvage, an architect, and Louis Sorrel, an architect and collaborator of Aubert's, joined.
[5] Nocq in his role as art critic wrote an article on improvements in street design seen in England and Belgium, and encouraged France to follow their lead.
[1] In this room, Aubert designed the wall-hangings, curtains, carpet and fabric decorations, Charpentier the window-sash bolt and bottle-stoppers and Plumet, the dressing table, chair, shelf-unit, glass display case and the structure of the screens.
In their 1897-1898 exhibition, Aubert and Charpentier designed a bathroom with the decorator Eugène Simas, which fulfilled the group's ideals of bringing beauty to an object that served a functional purpose, and was also part of an industrial collaboration, with the Sarreguemines factory.
[1] An Aubert and Charpentier-designed bedroom (for Prince Alexandre de Chimay and his wife) was part of the group's 1899 exhibition at the Galerie des Artistes Modernes.