The website also included an open-access calendar to print exhibitions, auctions, fairs, and competitions around the world; a comprehensive listing of research resources for artists, scholars and collectors; and a global directory of printshops, publishers and dealers.
Scherenschnitt by Richard Tuttle is a two-sided print meant to be cut out from the page and considered as an extension of the artist's earlier etching installation Deep in the Snow (2015).
Subjects covered range from 17th century lift-the-flap anatomy engravings (Suzanne Karr Schmidt) to the impact of the Xerox machine on the aesthetics of punk (David Ensminger).
Some issues contained a articles clustered around a single topic: September–October 2012 focused on the legacy of Stanley William Hayter; July–August 2014 examined screenprinting and the tension between art and design; January–February 2015 was billed as a topographic tour of Arcadia, from the 15th to the 21st century.
Regular contributors to the journal included Catherine Bindman, Paul Coldwell, Faye Hirsch, Laurie Hurwitz, Andrew Raftery, Gill (Gillian) Saunders, and Amelia Ishmael.