Since the late 1970s, a permanent Seminar of the Aesthetics of Media and Communication has been directed by its founder Mario Costa at the University of Salerno.
[4] The comprehensive relationship between art and technoscience, technology, and philosophy has also been the theoretical subject of the ten international "Artmedia" conferences which were held in Salerno and Paris between 1985 and 2008.
[6] Theorists who worked with Artmedia and participated in its activities included Bernard Stiegler, René Berger, Abraham Moles, Derrick De Kerckhove, Pierre Levy, Gillo Dorfles, Paul Virilio, Frank Popper, Roger Malina, Daniel Charles, José Jiménez, Anne Cauquelin, Edgar Morin, Thierry de Duve, Catherine Millet, Filiberto Menna, Andreas Broeckmann, Rudolf zur Lippe, Edmond Couchot, Dominique Chateau, Yannick Geffroy, Philippe Queau, Arlindo Machado, Tetsuo Kogawa, and Bernard Teyssedre.
Artists included Fred Forest, Roy Ascott, Takahiko Iimura, Maurizio Bolognini, Tom Klinkowstein, Tom Sherman, Eduardo Kac, Enzo Minarelli, James Dashow, Peter D'Agostino, Mit Mitropoulos, Shawn Brixey, Bruno Di Bello, Antoni Muntadas, Orlan, Kit Galloway, David Rokeby, Miguel Chevalier, Norman White, Richard Kriesche, Olivier Auber, Caterina Davinio and Casey Reas.
An assessment of 25 years of Artmedia activity was made into a seminar on The aesthetic object of the future, held at the University of Salerno in 2009.