[1][2][3] In a review for AllMusic, François Couture wrote that, in relation to Collective Calls (Urban) (Two Microphones),: "the music is overall more feverish and loud, but it loses nothing in subtlety and intelligence... 'In the Midst of Laughter and Glee'... stands as one of their best improvisations from that period... Lytton spends little time playing the drum kit in a conventional way.

"[4] The authors of The Penguin Guide to Jazz awarded the album 4 stars, and stated: "Parker's usual armoury is extended on this occasion by the Lyttonophone, while Paul deploys an augmented kit and auxiliary sources.

"[5] Writing for The Guardian, John Fordham commented: "Unlike some free-improv of the day, it's very eventful; the music is varied, both texturally and dynamically.

"[6] Derek Taylor, in a review for Dusted Magazine, remarked: "it's... fascinating to hear Parker's approach at this earlier interval in the development of his art.

The requisite elements are all in place, but interestingly enough he largely abstains from the sort of serpentine circular breathing marathons that are his bread and butter today.