"[10] John Sharpe of All About Jazz called the album "another top notch entry" in "an already distinguished discography," with the musicians "convers[ing] in a language entirely of their own making, which relies on a staggering density of ideas, chops to burn and a preternatural responsiveness.

"[7] The Free Jazz Collective's Martin Schray stated that the album "presents the trio at its best," and remarked: "they are a well-greased machine, an improvising entity, a true trio – with a drummer that stirs the shit, a bass that provides an irresistible pulse (plus some extra surprises) and a saxophonist who does not use this context for selfish solos but for tight and spontaneous interaction looking for new pastures.

"[8] Writing for Dusted Magazine, Derek Taylor commented: "Even when all three are racing at a collective sprint the music never fails to breathe or flow.

"[11] In an article for The New York City Jazz Record, Andrey Henkin noted that the "trio never loses a sense of dynamism... there are no dead spots, those dithering moments that infect low-grade improvisational music.

"[12] JazzWord's Ken Waxman stated that "anyone who claims that experimental music lacks emotion must hear" the album, and praised "the combination of precision and passion that also marks the most accomplished string quartet performance.