Tremolo bellowing, reed yelps, percussive piano cascades and blunt ruffs plus stick clatters from the drummer intersect with oozing, processed flanges.

Skyscraper-high grace notes from the piccolo trumpet surmount the siren-like contrapuntal electric modulations for an additional jolt, presaging the more moderated finale.

"[7] Writing for Signal to Noise Magazine, Jason Bivins also singled out the final track for praise, calling it "a chirpy, effusive piece which forces the ensemble to move away from laminal improvising and explore nearly percussive phraseology."

He commented: "Fernandez's marvelous prepared piano lines wend their way deep into the electronic fabric, with brass and overtones creating some kind of wind-based forest for a spell.

"[8] The editors of The Free Jazz Collective awarded the album a full 5 stars, and reviewer Martin Schray remarked: "no matter what line-up we are listening to - the music is fascinating – it is diverse and the musicianship is simply great.