[1] He participated in numerous exhibitions in Europe and the United States, where he investigated themes of perception, memory, and the interaction between the viewer and the artwork.
His early works showcased an innovative use of wire and fabric, positioning him within the contemporary art movement and drawing connections to prominent artists like Alberto Giacometti and Alexander Calder.
[3] He actively participated in the cultural debate surrounding Neapolitan sculpture, engaging with the neodadaist movements represented by the magazine Linea Sud, founded in 1963 and directed by Luigi Castellano.
The canvas became a unique and collective record, capturing the ephemeral traces of everyday movements, transforming an ordinary moment into something both extraordinary and unrepeatable.
[3] After returning to Italy in 1992, Diodato’s work evolved to merge his European heritage with the avant-garde influences he encountered in New York.