Her artwork focuses on the evolving relationship between human culture and the ecosphere, with special consideration given to the ways in which individual and collective identity become evident through land usage.
Exhibited at the Richmond Art Gallery in 2009,[5] the show consisted of a series of still and time based works that reflected on the long journeys of the trucks and salmon, examining how the landscape and ecosystem are being re-shaped.
Further activated with multi-media elements, photo-etchings on kozo paper, a soundtrack, collage and monoprints related to the landscape, the installation also invited contributions by the general public and from materials found in the area.
"[7] Collaboration between Zeigler and Smith was an integral component to understanding the intention towards the content, as the notes accompanying the exhibition show that "the artists spent hundreds of preparatory hours on the project in pursuits that sought to balance 'shared works' with 'autonomous creation.'
A selection of images of the work were reproduced in the September 1997 book "The Best of Printmaking" by Lynne Allen and Phyllis McGibbon,[9] as well as a more thorough spread in The Capilano Review.