Baseera Khan (born 1980) is an American visual artist who uses material, form, and color to express non-verbal concepts in sculpture, installation, painting, performance, and photography.

[9] Khan is a conceptual artist who uses a variety of mediums to "visualize patterns and repetitions of exile and kinship shaped by economic, social, and political changes in local and global environments, with special interests in decolonization processes".

Presented as part of the annual UOVO Prize for emerging Brooklyn-based artists, the exhibition explored themes of Muslim-American identity and the body as a place of shared history.

[16] In 2022, Khan was commissioned to create a series of sculptures based on the form of a Corinthian column – albeit one that seems to have been toppled and wrapped in handmade silk rugs from Kashmir – for Meta’s Manhattan office complex in the historic James A. Farley Building.

The work, a mixed media figurative sculpture made from a 3D-printed model of the artist's body and plexiglass, was partly inspired by an 18th-century Buddhist statue, Naro Dakini, in the collection of the National Museum of Asian Art.