Battista del Moro (1512 – after 1568) was an Italian painter of the Renaissance period active in his native Verona, as well as in Mantua and Venice.
This artists is referred to by various names including Battista D’Agnolo Veronese by Filippo Baldinucci[1] and Giorgio Vasari, or by Battista Angolo del Moro, (commonly called Angeli, and occasionally Angelo and Agnolo).
He was a scholar of Francesco Torbido, called Il Moro, whose daughter he married, and whose name he added to his own.
He improved his style by studying the works of Titian, and painted several pictures, both in oil and fresco, for the churches at Verona, and sometimes in competition with Paolo Veronese.
In conjunction with Battista Vicentino, he engraved a set of fifty landscapes, mostly after Titian, which are executed in a bold, free style.