They became known as a team early in their association, so much so that their joined names were applied to the total canon of Fletcher, including his solo works and the plays he composed with various other collaborators including Philip Massinger and Nathan Field.
While scholars and critics will probably never render a unanimous verdict on the authorship of all these plays—especially given the difficulties of some of the individual cases—contemporary scholarship has arrived at a corpus of about 12 to 15 plays that are the work of both men.
Beaumont also dominates in The Maid's Tragedy, The Noble Gentleman, Philaster, and The Woman Hater.
In contrast, The Captain, The Coxcomb, Cupid's Revenge, Beggars' Bush, and The Scornful Lady contain more of Fletcher's work than Beaumont's.
The cases of Thierry and Theodoret and Love's Cure are somewhat confused by Massinger's revision; but in these plays too, Fletcher appears the dominant partner.