Beauty mark

Fashion prints from the late seventeenth century show women with an increasing number of beauty marks in a variety of sizes and shapes, placed on the cheeks, chins, and forehead.

The placement or shape of a patch could reveal information about then wearer's relationship status, sexual availability, or political affiliations.

Now awful Beauty puts on all its Arms; The Fair each moment rises in her Charms, Repairs her Smiles, awakens ev'ry Grace,

And calls forth all the Wonders of her Face;Moral commentators in the early modern period increasingly expressed concern about the wearing of beauty patches, and linked it to sexual immorality and prostitution.

The British diarist and intellectual John Evelyn referred to the wearing of patches, and make-up more general, as a "most ignominious thing.

In the conclusion of the book The Silence of the Lambs, the heroine Clarice Starling gains an artificial beauty mark when burnt gunpowder gets lodged in the flesh of her cheek.

Supermodel Cindy Crawford is known for her beauty mark.
painting described in caption; the black woman is on the left
Allegorical Painting of Two Ladies, English School , c. 1650, by an anonymous hand. The two women, who appear to be of equal standing, are wearing face patches, which were a fashion of the time. The painting is captioned "I black with white bespott y white with blacke this evil proceeds from thy proud hart then take her: Devill." [ 2 ]
A chiqueador on a lady's temple, detail of "Retrato de María Rosa de Rivera" by Pedro José Diaz, Lima, Peru, 1785
An example of a patch box from the early eighteenth-century, made of silver.
A Monroe piercing is a lip piercing placed off-center, above the upper lip, meant to resemble Marilyn Monroe 's beauty mark.