In Germany, Hochroth[2] has published him bilingually[3] and he was a contributor to several issues of the German painter Markus Lüpertz's Frau und Hund.

His volume Monstres tièdes has been translated by Massimo Sannelli and published in a bilingual Italian edition as Mostri tiepidi with a preface by Valerio Magrelli.

80[5] is an artist's book with a lithograph by Luisa Gardini,[6] an Italian artist who also contributed to Mai, Monstres tièdes, corps et riens,[7] Successions, à, Rideau and Sonnets des satiétés; Gardini also turned Monstres tièdes into a book of her own, WPMT15, published by cythère critique in 2005 (ISBN 978-88-901696-2-5), as well as a series of bookmarks published by Ecbolade in 2004, and a poster stamped by atelier de l'agneau in 2003.

[14] Other composers such as Michèle Reverdy, Pierre Strauch, Gilles Schuehmacher, Amy Clarkson and Mathieu Robert worked on his poetry.

Some poems have been published in various magazines as PO&SIE,[15] Poésie 2000, Le Mâche-Laurier, Noniouze, Décharge, Marge 707, Moriturus, Le frisson esthétique, Hapax, l'intranquille and larevue* in France, Calendrier de la poésie francophone and MIDI in Belgium, RBL (Revue de Belles-Lettres) in Switzerland, Exit in Canada, Pagine, Offerta Speciale, BINA and SUD in Italy, Nea Hestia in Greece, Artic, Frau und Hund and hochroth in Germany, Wespennest in Austria, Sentinel Literary Quarterly in Great Britain, The Brooklyn Rail[16] in the USA.