Bertha M. Wilson

Her own work was of three kinds: home talent entertainments, including original drills, tableaux, and pantomimes; plays and farces; and costume monologues for platform and stage.

[2] Her father, Isaac Wilson was born in Maryland, April 24, 1824, while the mother's birth occurred in Canada on August 15, 1834.

The father, who was a farmer, was for many years identified with the agricultural interests of Hamilton county, but he was living in Blairsburg, Iowa at the time of his death, which occurred January 20.

[5] For her own amusement, Wilson began analyzing the writings of various dramatists, from the classics to the modern French and English schools, studying plot, style, treatment, and dramatic situation.

Her own work was of three kinds: home talent entertainments, including original drills, tableaux, and pantomimes; plays and farces; and costume monologues for platform and stage, which was her specialty.

Most of it had the test of public presentation, either in home talent entertainments under her own supervision for the purpose of studying effects and gaining experiences in stage management, or in her own programs.

Teachers and students favored the plan of leasing five or six different manuscripts for a single performance making a full evening's program.

Wilson oversaw all correspondence and was ready to offer suggestions or aid in selecting a sketch suited to someone's special purpose.

It was a story of a country maid whose musical talent is discovered bv an unexpected visitor who comes on a Christmas Eve.

Bertha M. Wilson in "The Snow Song and Dance"
Bertha M. Wilson in "Ye're a Dandy, Ain't Yer!" (from "At Buffalo Bill's.")
Bertha M. Wilson
Bertha M. Wilson, in The Girl Queen