Beulah (radio and TV series)

In 1943, Beulah moved over to That's Life and then became a supporting character on the popular Fibber McGee and Molly radio series in March 1944.

After Hurt died of a heart attack in 1946, he was replaced by another white actor, Bob Corley, and the series was retitled The Beulah Show, which ran on ABC as a sustaining program from February 24 to August 20, 1947.

She earned $1,000 a week for the first season, doubled the ratings of the original series and pleased the NAACP which was elated to see a historic first: a black woman as the star of a network radio program.

Most of the comedy in the series derived from the fact that Beulah, referred to as "the queen of the kitchen", has the ability to solve the problems that her employers cannot figure out.

Other characters included Beulah's boyfriend Bill Jackson, a handyman who is constantly proposing marriage, and Oriole, a befuddled maid for the family next door.

For at least the first season, Beulah was filmed at Biograph Studios in the Bronx while Ethel Waters was simultaneously appearing on Broadway in The Member of the Wedding.

[4] When production moved to Hollywood, Hattie McDaniel, star of radio's Beulah, was cast in the title role in Summer 1951,[4] but only filmed six shows before falling ill. She was replaced by Louise Beavers later in 1951.

Ruby Dandridge, who had played Mrs. Kelso in Cabin in the Sky and the voice of Oriole on the radio version of Beulah, replaced McQueen when the entire television cast was overhauled upon the arrival of Hattie McDaniel.

He was succeeded in the role by Casablanca pianist Dooley Wilson, until Ernest Whitman followed radio co-stars McDaniel and Dandridge to TV in April 1952.

This ad depicts a turning point in media history on November 24, 1947, the first instance of an African American woman starring in a network radio program, with ad copy noting that she is "queen of the kitchen" and "manages a household".