[1] Following protracted disagreements over revenue sharing, Bijelo Dugme vocalist Željko Bebek left the band in April 1984, deciding to focus on his solo career.

[2] The band spent the summer of 1984 in Rovinj, where they held small performances in Monvi tourist centre, preparing for the upcoming studio album recording sessions.

[4] The working title of the album, Još uvijek nas ima (We're Still Here), was discarded after it was decided that Uroš Predić's painting would appear on the cover.

[6] (Bregović would, in return, make a guest appearance on Riblja Čorba 1985 album Istina, singing with Đorđević in the song "Disko mišić" ("Disco Muscle").

[2] Other hits included "Padaju zvijezde", "Lažeš", "Da te bogdo ne volim" and "Jer kad ostariš".

[2] The stylized army uniform in which the members of the band appeared on stage and the large red star from Kamarad logo were partially inspired by the works of Laibach.

[11] After the promotional tour, Vojičić, under the pressure of professional obligations, sudden fame, and a media scandal caused by revelation of his LSD usage, decided to leave the band.

Suppose we view Laibach and Mizar as ideological avant-garde — the Marx and Engels of Yugoslav rock, and we further assign Riblja Čorba the role of the people, then Bijelo Dugme can be looked at as the Communist Party's local neighbourhood branch.

Bijelo Dugme's folk-oriented pop rock sound, alongside the idea of Yugoslavism, present on the album via cover of "Hej, Slaveni", influenced a great number of pop rock bands from Sarajevo, like Merlin, Plavi Orkestar, Crvena Jabuka, Valentino and Hari Mata Hari, some of whom would later be labeled as New Partisans.

[13] In 2007, Serbian critic Dimitrije Vojnov named Bijelo Dugme one of ten most important records in the history of Yugoslav rock, despite having a negative opinion of the album.

[14] In June 2016, Radio Split of the Croatian Radiotelevision came under scrutiny of numerous music critics and a part of general public for performing censorship on the Lipe cvatu song's verse that mentions "Yugoslavia".

Croatian Composers' Society determined it to be a copyright violation that was punishable by law, which was also confirmed by a representative of author's rights in the publishing house Aquarius, stating that they would take legal action upon repeated offences.