After disappointing sales and poor publicity, the band ended their contract with Private Stock and signed with Chrysalis Records in mid 1977.

Through the production of Richard Gottehrer, who had worked with the Angels and other artists of the 1950s and 1960s, much of the music is suffused with the girl group sound of that era.

He noted that Harry performed with "utter aplomb and involvement throughout: even when she's portraying a character consummately obnoxious and spaced-out, there is a wink of awareness that is comforting and amusing yet never condescending."

[14] [15] Giovanni Dadomo of Sounds gave the album a two star rating, calling it a "pretty dumb affair" and that "nobody here seems to really be trying very hard.".

[11] Dadomo went on to state the production had " an almost totally bland lack of depth and colour" finding the main highlight to be "there's plenty of Farfisa and sometimes Blondie sounds a little bit like Jim Morrison.