[5][6] In 2017, he was co-curator together with Florian Ebner, Kerstin Meinicke, Kathrin Schonegg, and Christin Müller of the 7th edition of the Biennale für aktuelle Fotografie, which takes place in Mannheim, Ludwigshafen and Heidelberg.
Since October 2016, Levin is a PhD candidate and member of the "Cultures of Critique" research training group at the Leuphana University, Lüneburg.
His work has been exhibited at the CCA (Tel-Aviv), Former West, HKW (Berlin), Recontres Internationales (Paris, Berlin), FIDMarseille (Marseille), European Media Arts Festival (Osnäbruck),[18] Human Resources (Los Angeles) The School of Kyiv (Kyiv biennial), La Gaîté Lyrique (Paris), Auto Italia South East (London), Years (Copenhagen) and Dinca Vision quest (Chicago).
The film builds two simultaneous and equally compelling pictures of the USA — through its physical landscapes (frequently windowless, in-plain-sight complexes relocated to increasingly remote locales), and through the more troubling sociopolitical undercurrents that actively shape its digital economy".
[26][27] Levin worked as a curatorial advisor and co-editor of the catalog and board-game for "Mine," an exhibition by New Zealand born, Berlin-based artist Simon Denny, which opened at MONA, Tasmania in 2019, and later traveled to K21, Düsseldorf.
[32][33] Founded by Vera Tollman, Hito Steyerl and Boaz Levin, RCPP "reflects upon the nature of medial networks and their actors, that is, machines and things as well as humans.
"[34] According to RCPP, "proxies are now emblematic of a post-representational political age, one increasingly populated by bot militias, puppet states, ghostwriters, and communication relays".