BoJack Horseman

Set primarily in Hollywood,[note 1] the series revolves around the anthropomorphic horse BoJack Horseman (Arnett), a washed-up star of a 1990s sitcom who plans a return to relevance with an autobiography to be written by ghostwriter Diane Nguyen (Brie).

It also chronicles his contentions with his agent, Princess Carolyn (Sedaris), former rival Mr. Peanutbutter (Tompkins), roommate Todd Chavez (Paul), and his declining mental health.

The series is designed by cartoonist Lisa Hanawalt, a longtime friend to Bob-Waksberg who previously collaborated on the webcomic Tip Me Over, Pour Me Out.

However, critics were significantly more positive towards the second half of the first season, and the subsequent seasons received widespread critical acclaim; praise was given to its animation, voice acting, humor, mature themes, character development, emotional weight, and approach to its subject matter, lauded for its exploration of depression, trauma, abortion, adoption, addiction, self-destructive behavior, suicide, racism, sexism, teen pregnancy, sexuality, and the human condition.

BoJack Horseman is the washed-up star of the fictional 1990s sitcom Horsin' Around, which centered around a young bachelor horse trying to raise three human children who had been orphaned.

Now living in relative obscurity in his Hollywood Hills mansion, BoJack plans a monumental comeback to celebrity relevance with a tell-all autobiography to be written by ghostwriter Diane Nguyen.

BoJack also has to contend with the demands of his agent and former girlfriend Princess Carolyn, the misguided antics of his freeloading roommate Todd Chavez, and his former rival Mr. Peanutbutter.

After moving to Los Angeles for the first time, writer Raphael Bob-Waksberg unsuccessfully pitched ideas for shows to different networks.

In March 2010, Bob-Waksberg emailed Hanawalt asking for a drawing of one of the "horse-guys" she had been sketching, outlining a pitch for a show he titled "BoJack the Depressed Talking Horse".

[16] In late 2010, Bob-Waksberg met with producer Steven A. Cohen of the Tornante Company and pitched five different animated projects, including BoJack Horseman.

He wrote up a treatment for the series which was then pitched to the Tornante Company CEO Michael Eisner, who suggested that the show center around a former racehorse rather than a former sitcom actor.

While Bob-Waksberg successfully pushed for the show-business angle, this contributed to a storyline in which BoJack later played the titular racehorse in the fictional movie Secretariat in the show's second season.

Bob-Waksberg and the team eventually pitched to Netflix in October 2013, and the show was picked up on the condition that the series launch in time for summer 2014.

Writers for BoJack Horseman included Bob-Waksberg, Joe Lawson, Kate Purdy, Elijah Aron, Jordan Young, Mehar Sethi and Joanna Calo.

Tompkins brought a "beautiful, lilting quality" to the role, with Bob-Waksberg describing his performance as "skipping above the line, which as a foil to BoJack is very funny.

"[15] Alison Brie was cast as Diane Nguyen, a ghostwriter hired to write BoJack's memoir and later ends up marrying Mr. Peanutbutter.

Bob-Waksberg later commented on the controversy, applauding Brie's performance of the character while expressing regret and that he believed the casting had "hurt the show".

"[26] Creator Raphael Bob-Waksberg has cited the cynical humor in the Canadian show The Newsroom as a large influence on BoJack Horseman.

In season 6, Todd forms a relationship with Maude, a rabbit he meets on the asexual dating app Emily created, "All About That Ace."

[47] Chris Mitchell of Popzara was equally optimistic about the show's future, saying that "Fans of FX's Archer or Fox's Bob's Burgers will definitely want to check this one out, as its rapid-fire delivery is always consciously spot-on".

The website's critics consensus is, "Bojack Horseman truly comes into its own during season two, maturing into an ambitious comedy that sensitively blends wackiness with dark, nuanced drama.

[55] Liz Shannon Miller of IndieWire gave the series a grade of "A−", praising the depth of the show's storyline, the voice cast and the superior comedy in comparison to the first season.

[57] Chuck Bowen of Slant Magazine awarded the series four-and-a-half stars out of five, commenting that "BoJack Horseman's second season is an even more confident blend of the various tones it experimentally donned last year, as it's simultaneously melancholic, angry, goofy, playful, and often uproariously funny in a distinctively ineffable what-the-fuck fashion".

The website's critics consensus is, "Skillfully puncturing the idea of celebrity and our culture's bizarre obsession with it, BoJack Horseman's third season continues its streak as one of the funniest and most heartbreaking shows on television.

[63] Chris Cabin of Collider gave the show four out of five stars, stating "BoJack Horseman ends up becoming a thrilling, rueful study of the psychological games and uniquely vain, notably capitalistic decision-making that powers the entertainment industry".

The website's critics consensus is, "BoJack Horseman's fourth season finds the show continuing to fearlessly traverse the emotional gamut - with results that are heartbreaking as often as they are hilarious.

BoJack's signature tropes—the background visual jokes, the animal puns, the brutal moments of sadness—remain reliably consistent, but turns the focus largely inward, ensuring that some of the more outlandish plots support and highlight the more emotional storylines".

[67] Bethonie Butler of The Washington Post lauded the series, praising the installment as "moving and unexpected" and that "it offers hope but never ignores the sorrows that are inevitable in real life".

The website's critics consensus is, "BoJack Horseman continues confidently down the thematic rabbit hole with a fresh and poignant season that's as devastating as it is hilarious.

[106][107] For her voicing of Sarah Lynn, Kristen Schaal was nominated for the Primetime Emmy Award for Outstanding Character Voice-Over Performance.