[1] In a review for Paris Transatlantic, Nate Dorward stated that the album has "a celebratory flavour," and wrote: "The main feature here is the hour-long title-track, paced throughout by Murray's trademark slow-burn hi-hat chomp, which sings out as strongly and persistently as Bevan's horns and (after a while) gives you the pleasantly dizzy sense of having been shaken like a rag doll.

"[3] Stewart Lee, writing for The Times, commented: "Murray induces uncharacteristic snatches of buried melody from Bevan's roaring, rasping horn, and jazzy, spongy licks from Edwards's scrambling strings, while the British duo inspire career highs of intensity from the indefatigable 73-year-old.

"[4] Ken Waxman of All About Jazz-New York remarked: "this CD demonstrates that, with the right associates, Murray’s music is as contemporary today as it was decades ago.

"[5] In an article for The Jazz Mann, Tim Owen stated: "This set must have been exhausting for the audience to experience, let alone for the trio to play....

"[2] A reviewer for the Morning Star wrote: "As the trio sets off on the 56 minutes of the title number, images of the jazz past assailed me.