On the album, Murray is joined by members of the group known as The Untouchable Factor: reed player Byard Lancaster, pianist Dave Burrell, and bassist Bob Reid.

[1][2] Writing for Bells, Henry Kuntz stated that the album "shows [Murray] in fine form, especially on the title track.

It is closer in spirit to his work with Albert Ayler... though more fluid now, less subtle, and rolling more from the bottom of his drum set, making greater, more obvious use of the high-hat, and going to the top cymbals mainly for accents (as opposed to the drone-like function they served in much of his earlier work)."

However, Kuntz cautioned: "The band... leaves much to be desired... the record's main interest is as a contemporary document of Murray's drumming.

[6] In an article for Avant Music News, Tom Orange called the album a "standout," and praised "Happiness Tears" and "Tree Tops," comparing the latter to John Coltrane's "Alabama".