[9] Jayson Greene of Pitchfork commented: "Boomiverse doesn't have the same freewheeling, blitzkrieg energy as Sir Lucious, but it reestablishes Big Boi as a dependable record maker who will always make music worth checking for, no matter what else is going on around him.

"[16] Alex Macpherson of The Guardian stated: "A sprinkling of electro bleeps throws Boomiverse back to the 1980s and on irresistible highlight Chocolate, Big Boi morphs into Missy Elliott in her house-dabbling phase.

"[14] Nastia Voynovskaya of Paste Magazine commented: "Boomiverse is an exuberant record that dabbles in different subgenres of hip-hop to emerge with a crisp, cohesive final product that stays true to Big Boi's roots while cultivating an up-to-date sound.

With Outkast collaborators Organized Noize handling the majority of the album's production, Boomiverse is steeped in the classic Southern sound that predated what we know as trap music today.

The album is far from the work of a legend resting on his laurels; instead, its inventive and genuinely fun sound makes a compelling case for why, 20 years after his debut, we should still be paying attention to Big Boi.

Walking a thin line between pretty much every musical genre known to mankind, don't be surprised when on Boomiverse one minute you’re breaking your neck on a bed of 808s, electro drum patterns and screaming synths and the next you're kicking back to a selection of funky rhythms, sax solos and acoustic guitars.