An accompanying music video for the recording—which was heavily aired on Romanian television—premiered on Inna's YouTube channel on 13 July 2015, with it being shot by Dimitri Caceaune, John Perez and David Gal in Bucharest.

[1] Spanish LGTB website Grupo EGF stated that the rhythm of the recording is "danceable", further explaining that it incorporates a "retro air" and an "interesting mix of sounds".

[1] Echoing this thought, the singer confessed in an interview with Romanian radio station Kiss FM that; It is a collaboration with one of my friends from the international music industry, Eric Turner, a very talented guy from Sweden, and with the boys from Play & Win.

[17][18][19][20] The idea behind the visual was based on Inna's desire to create a "fashion" video, for which clothes were procured by international brands Marni, Givenchy, HBA HOOD by Air, Balmain, KTZ, Ashish, Pierre Hardy, and Romanian designers Cristina Savulescu and Madalina Dorobantu from Pas du Tout.

[9] The accompanying clip for the recording finally premiered on Inna's YouTube channel on 13 July 2015,[21] being shot by Dimitri Caceaune, John Perez and David Gal in Bucharest, Romania; George Dascalescu served as its director of photography.

Following this, several photos of women are seen scattered on the floor of a dark-lightened room, which is then followed by Turner appearing to sing the first refrain of the song on the TV's display,[1] wearing black sunglasses and a silver jacket; two fellow females are watching him.

When the track's breakdown is played, Inna is presented lying on a XXL-photo of her face, and she and her backup dancers are shown clapping their hands and performing subtle movements.

Scenes interspersed through the main plot portray people performing tribal moves while the video's frame is vertically constrained to just the center of the screen, and two lesbian girls touching their bodies and picturing themselves.

Going on, Currinn further likened Turner's appearance on a TV screen to that of Pitbull's in Inna's "Good Time" (2014) and Flo Rida's in The Saturdays's "Higher" (2010), while being positive to the choreography although stating that it "isn't in depth enough".