Borodin was born in Saint Petersburg as an illegitimate son of a 62-year-old Georgian nobleman, Luka Stepanovich Gedevanishvili, and a married 25-year-old Russian woman, Evdokia Konstantinovna Antonova.
[8][9] Despite his status as a commoner, Borodin was well provided for by his Georgian father and grew up in a large four-storey house, which was gifted to Alexander and his "aunt" by the nobleman.
[10] Although his registration prevented enrollment in a proper gymnasium, Borodin received good education in all of the subjects through private tutors at home.
[citation needed] During 1862, Borodin returned to Saint Petersburg to begin a professorship of chemistry at the Imperial Medical-Surgical Academy[8] and spent the remainder of his scientific career in research, lecturing and overseeing the education of others.
He died suddenly during a ball[12][13] at the academy, and was interred in Tikhvin Cemetery at the Alexander Nevsky Monastery in Saint Petersburg.
[16] The radical halodecarboxylation of aliphatic carboxylic acids was first demonstrated by Borodin during 1861 by his synthesis of methyl bromide from silver acetate.
[17][18] It was Heinz Hunsdiecker and his wife Cläre, however, who developed Borodin's work into a general method, for which they were granted a US patent during 1939,[19] and which they published in the journal Chemische Berichte during 1942.
He worked on self-condensation of small aldehydes in a process now known as the aldol reaction, the discovery of which is jointly credited to Borodin and Charles Adolphe Wurtz.
Two years later he began composing a third symphony, but left it unfinished at his death; two movements of it were later completed and orchestrated by Alexander Glazunov.
It is set in the 12th century, when the Russians, commanded by Prince Igor of Seversk, determined to conquer the barbarous Polovtsians by travelling eastward across the Steppes.
The story tells of the capture of Prince Igor, and his son, Vladimir, of Russia by Polovtsian chief Khan Konchak, who entertains his prisoners lavishly and orders his slaves to perform the famous 'Polovtsian Dances', which provide a thrilling climax to the second act.
[31][4] No other member of the Balakirev circle identified himself so much with absolute music as did Borodin in his two string quartets, in addition to his many earlier chamber compositions.
[32] During 1875 Borodin started his First String Quartet, much to the displeasure of Mussorgsky and Vladimir Stasov; the other members of The Five were known to be hostile to chamber music.
2, Prince Igor – made possible the adaptation of his compositions in the 1953 musical Kismet, by Robert Wright and George Forrest, notably in the songs "Stranger in Paradise", "And This Is My Beloved" and "Baubles, Bangles, & Beads".