The building is registered as a national architectural monument by the decision of the Cabinet of Ministers of Azerbaijan dated 2 August 2001, No.

On 18 July 1898, after the Commission evaluated Skurvick's sketch project, it was decided to assign Gosławski the plan, façade works.

After the death of Gosławski on 15 January 1904, Skórewicz, who was appointed to manage the construction of the building, made a great effort to keep the architectural idea completely and do not load interiors by Uprava and Duma.

[5] Under the direction of Józef Płoszko, one of the flanks on the premises for the Upravan water pipeline department was built, based on the Gosławski's project.

[5] The stones used for the facades of the building was shaved and prepared by the Atayev brothers (masters Salman, Aslan, Iskender, Abuzar, Eyyub) in Baku.

At that time, Gosławski, who did not know how to deal with this difficult situation and how to solve the problem, appealed to the journal of "Civil Engineers Society news", published in St. Petersburg.

In his question, Gosławski explains that the sulfuric acid solution used to remove the shingles had a negative effect on the limestone used to cover all facades, saying that "it cannot be used, and I do not know any other method."

In 1903, a large and expressive silhouette of the tower of the city house was selected, with a tall roof effectively worked on Nikolaevski Street.

The former mayor of Baku, A. Novikov, explains why he was taking such a decision on the roof cover: "After my arrival in the city, I attended a construction commission meeting.

The Duma fulfilled his request, taking into account the services of the city's architect, and appointed Skórewicz as a follower of his work.

The three-storeyed building of the Duma dominates the historical center of the city with the use of the Baroque motifs in the original interpretation, with the classic methods of composition.

Putting tower at the center of the main façade, it combines it with organic volumes, and the whole composition was given artifacts that lacked at that time the central city highway – Nikolayevski Street.

Facing brick forms interesting color gamma between the limestone window frames, without disturbing unity of the architecture.

[9] Although the Duma was allocating funds for technical specifications in the construction process, the development of the interior of the house was slow.

Nevertheless, each of these architects had their own creative lineage, as they knew the construction process as they were, and that affected the building's interior space and its completion.

[10] For the first time, Gosławski used the classical order system in the interior design of the meeting room of Duma at full capacity.

The second half of the interior of the hall appears as a continuation of the first one in other interpretations, perimeters, quiet horizontal and vertical divisions, and new architectural methods.

Soon they draw out linen covers, flooring carpets and heavy curtains of windows, but due to lack of funding Bayev's project could not be implemented.