His style recalls the mannerist work of the Campi family: Antonio, Bernardino, and Giulio .
He trained in the Veneto and is known to have participated in drawings for a treatise on the science of armaments by Camillo Agrippa.
In 1556, he painted the canvas of Christ and Mother and an Assumption of the Virgin for Santa Maria presso San Celso in Milan.
Later he worked with Bernardino Campi, for example in the Transfiguration (1565) in the church of San Fedele in Milan.
He painted in the Chapel of the Angels in Sant'Eustorgio, a Pentecost in the church of San Marco.