Traces of a building dating back to the Middle Ages can be found in the basements and in the ogival windows of the façade overlooking Via San Giovanni.
A rapid dilapidation started when Francesco, hostile to the new Marquis Giovanni Ludovico, was confined for political reasons and died a violent death.
In 1883 the edifice was purchased by Marquis Emanuele Tapparelli d’Azeglio (nephew of the writer Massimo), a cosmopolitan diplomat, a lover of art and antiques.
The Marquis entrusted Vittorio Avondo (painter, collector and future director of the Museums of Turin) and the engineer Melchiorre Pulciano with the restoration.
They tried to recover the Renaissance appearance of the edifice, supported by numerous workshops located in Saluzzo and following the principle known as "completion according to style": eliminated of what was considered irrelevant and addition of what thought to be necessary in a 16th-century maison.