Designed by architect Blas C. Silva Bouscher in 1911, the building reflects an emerging tendency to incorporate freely diverse and competing architectural motifs.

The building plane of the office is pushed forward to meet the sidewalk for public access in order to further express its utilitarian function.

His handling of the ornamental elements ranges from the curvilinear and stylized floral motifs present in the stained glass of the double doors, to the rectilinear wood screen—reminiscent of the Arts and Crafts movement – dividing the foyer from the living room.

The vestibule's repousse sheet metal ornamentation reflects the roccoco treatment of the exterior, at once maintaining an image of opulence and refinement for the visitor while creating a transitional device for the predominantly planar interior surfaces.

Many highstyle interiors of the beginning of the 20th century in the Ponce and Yauco region have been attributed to Elias Concepcion due to his sophisticated integration and subtle resolution of an eclectic vocabulary.

[5] The facade employs classical elements mixed with moorish influenced details It is divided in three main sections; an ample balcony that corresponds to the family dwelling flanked by two enclosed spaces used formerly as the medical offices of the original owners.

Special features of the interior are the stained glass panels in the living room, showing a strong moorish influence in its form (lobulated arches) and its colour.