Catherine de' Medici

The years during which her sons reigned have been called "the age of Catherine de' Medici" since she had extensive, albeit at times varying, influence on the political life of France.

During his reign, Henry excluded Catherine from state affairs, instead showering favours on his chief mistress, Diane de Poitiers, who wielded much influence over him.

[4] In practice, her authority was limited by the effects of the civil wars, and she suffers in comparison to what might have been had her husband the king lived to take responsibility or stabilise the country.

Therefore, her policies may be seen as desperate measures to keep the House of Valois on the throne at all costs and her patronage of the arts as an attempt to glorify a monarchy whose prestige was in steep decline.

The young couple had been married the year before at Amboise as part of the alliance between King Francis I of France and Lorenzo's uncle Pope Leo X against the Holy Roman Emperor Maximilian I.

[12] In 1527, the Medici were overthrown in Florence by a faction opposed to the regime of Clement's representative, Cardinal Silvio Passerini, and Catherine was taken hostage and placed in a series of convents.

[17] On her visit to Rome, the Venetian envoy described Catherine as "small of stature, and thin, and without delicate features, but having the protruding eyes peculiar to the Medici family".

The wedding, a grand affair marked by extravagant display and gift-giving,[20] took place in the Église Saint-Ferréol les Augustins in Marseille on 28 October 1533.

In desperation, Catherine tried every known trick for getting pregnant, such as placing cow dung and ground stags' antlers on her "source of life", and drinking mule's urine.

She may have owed her change of fortune to the physician Jean Fernel, who may have noticed slight abnormalities in the couple's sexual organs and advised them how to solve the problem.

[30] Henry even gave the Château of Chenonceau, which Catherine had wanted for herself, to his mistress Diane de Poitiers instead, who took her place at the center of power, dispensing patronage and accepting favors.

The imperial ambassador reported that in the presence of guests, Henry would sit on Diane's lap and play the guitar, chat about politics, or fondle her breasts.

[49] When Catherine realized Francis was going to die, she made a pact with Antoine de Bourbon by which he would renounce his right to the regency of the future king, Charles IX, in return for the release of his brother Condé.

She wrote to her daughter Elisabeth: "My principal aim is to have the honour of God before my eyes in all things and to preserve my authority, not for myself, but for the conservation of this kingdom and for the good of all your brothers".

[62] Catherine held talks with Jeanne d'Albret, the Protestant queen regnant of Navarre (and the wife of Antoine de Bourbon) at Mâcon and Nérac.

[68] She told the Venetian ambassador in June 1568 that all one could expect from Huguenots was deceit, and she praised the Duke of Alba's reign of terror in the Netherlands, where Calvinists and rebels were put to death in the thousands.

The Huguenots retreated to the fortified stronghold of La Rochelle on the west coast, where Jeanne d'Albret and her fifteen-year-old son, Henry of Bourbon, joined them.

[79] Coligny was carried to his lodgings at the Hôtel de Béthisy, where the surgeon Ambroise Paré removed a bullet from his elbow and amputated a damaged finger with a pair of scissors.

Catherine wrote to Henry of Charles IX's death: "I am grief-stricken to have witnessed such a scene and the love which he showed me at the end ... My only consolation is to see you here soon, as your kingdom requires, and in good health, for if I were to lose you, I would have myself buried alive with you.

As time passed and the likelihood of children from the marriage receded, Catherine's youngest son, Francis, Duke of Alençon, known as "Monsieur", played upon his role as heir to the throne, repeatedly exploiting the anarchy of the civil wars, which were by now as much about noble power struggles as religion.

The Venetian ambassador, Gerolamo Lipomanno, wrote: "She is an indefatigable princess, born to tame and govern a people as unruly as the French: they now recognize her merits, her concern for unity and are sorry not to have appreciated her sooner.

[117] Henry IV was later reported to have said of Catherine: I ask you, what could a woman do, left by the death of her husband with five little children on her arms, and two families of France who were thinking of grasping the crown—our own [the Bourbons] and the Guises?

Was she not compelled to play strange parts to deceive first one and then the other, in order to guard, as she did, her sons, who successively reigned through the wise conduct of that shrewd woman?

Listed works of art included tapestries, hand-drawn maps, sculptures, rich fabrics, ebony furniture inlaid with ivory, sets of china, and Limoges pottery.

Caron's vivid Mannerism, with its love of ceremonial and its preoccupation with massacres, reflects the neurotic atmosphere of the French court during the Wars of Religion.

"As the daughter of the Medici," suggests French art historian Jean-Pierre Babelon, "she was driven by a passion to build and a desire to leave great achievements behind her when she died.

"[129] After Henry II's death, Catherine set out to immortalise her husband's memory and to enhance the grandeur of the Valois monarchy through a series of costly building projects.

In fact, a large population of Italians—bankers, silk-weavers, philosophers, musicians, and artists, including Leonardo da Vinci—had emigrated to France to promote the burgeoning Renaissance.

Essentially, however, there exists no concrete proof that she took part in the occult, and it is now believed that Catherine's trouble in providing an heir was in fact due to Henry II's penile deformity.

[145] Catherine herself had been educated by Cosimo Ruggeri in astrology and astronomy, which were closely linked in her day[146] and were an academic rather than a Satanic activity,[147] although his general background and favourite status suggests there was more to it than that.

Giulio di Giuliano de' Medici, Pope Clement VII , by Sebastiano del Piombo , c.1531. Clement called Catherine's betrothal to Henry of Orléans "the greatest match in the world".
Catherine and Henry's marriage, painted seventeen years after the event
Henry, Duke of Orléans , by Corneille de Lyon . During his childhood, Henry spent almost four and a half years as a hostage in Spain, an ordeal that marked him for life, leaving him introverted and gloomy.
Catherine de' Medici (age 30s), as Queen consort of France (1550s). Portrait at the Uffizi Gallery . As Catherine approached 40 years of age, a Venetian envoy essayed his impression: "Her mouth is too large and her eyes too prominent and colourless for beauty [...] but a very distinguished-looking woman, with a shapely figure, a beautiful skin and exquisitely shaped hands."
Silver jeton of Catherine de'Médici
" Brazilian ball " for Henry II and Catherine de' Medici in Rouen , 1 October 1550, a precursor to the creation of France Antarctique in Brazil
Francis II of France , by François Clouet , 1560. Francis found the crown so heavy at his coronation that four nobles had to hold it in place as he walked up the steps to his throne. [ 40 ]
Charles IX of France , after François Clouet , c. 1565. The Venetian ambassador Giovanni Michiel described Charles as "an admirable child, with fine eyes, gracious movements, though he is not robust. He favours physical exercise that is too violent for his health, for he suffers from shortness of breath".
Jeanne d'Albret , Queen of Navarre, by François Clouet , 1570. She wrote to her son, Henry, in 1572: "All she [Catherine] does is mock me, and afterwards tells others exactly the opposite of what I have said ... she denies everything, laughing in my face ... she treats me so shamefully that the patience I manage to maintain surpasses that of Griselda ". [ 69 ]
Henry, Duke of Anjou , by Jean de Court , c. 1573 . As Henry III , he often showed more interest in pious devotions than in government.
Catherine's youngest son, Francis, Duke of Alençon , by Nicholas Hilliard , c. 1577 . Elizabeth of England called him "her frog" but found him "not so deformed" as she had been led to expect.
Henry, Duke of Guise , by Pierre Dumoûtier. Disarmed by Catherine's sweetness on meeting her for negotiations at Épernay in 1585, Guise tearfully insisted that his motives had been misunderstood. Catherine told him it would be better if he took off his boots and ate something, after which they could talk at length.
Engraving of Catherine de' Medici
Effigies of Catherine de' Medici and Henry II by Germain Pilon (1583), Basilica of St Denis
Triumph of Winter , by Antoine Caron , c. 1568
The Ballet Comique de la Reine , from a 1582 engraving by Jacques Patin
Coat of arms
Henry and Catherine family portrait
Louis, Victoire and Jeanne, the three children who died in infancy, depicted in Catherine's book of hours