Despite Igor's grandiose plan to construct a luxurious villa akin to Florence's Ponte Vecchio on the Schwedenbrücke, Nadja endeavors to dissuade him.

Sensing betrayal, Teresa, the nanny of Nadja's children, proposes gathering evidence of Igor and Klaus's misdeeds.

Klaus capitulates to Igor's demands for funding and citizenship, unbeknownst to him that Teresa and Nadja are onto his schemes.

Nadja plays a pivotal role in exposing the corruption, ultimately leading to Vera reclaiming the hidden millions.

[3] The film is the feature debut of director and screenwriter Elena Tikhonova, who was born in Obninsk and has lived in Vienna since 2000.