[8] Her work are in the collections of the Tate,[9] the San Francisco Museum of Modern Art,[10] and MoMA.
[1] Floyer consistently engages the discourse surrounding conceptual art, minimalism, post-minimalism, the ready-made and technology within her work.
Her work is often remarked upon for its visual austerity that stands in stark contrast to the abundant verbal implications and how it precipitates greater conjecture.
[12] However, if you look closely, there is a CD player inside the bucket, emitting the sound of the leak.
[12] In a catalogue essay for her exhibition at the Kunsthalle Bern in 1999, Berhard Fibicher wrote: "Both Carousel and Bucket function like classical metaphors -- albeit not on a linguistic level (although the titles are often crucial to deciphering Ceal Floyer's picture puzzles), but at that of sensorial perception.